I tend to work through accumulation—collecting images, materials, objects, and fragments of everyday life. Patterns emerge through this process, often revealing something about behavior and habit. Arranging these observations is at the heart of my practice: questioning what exists, identifying what might change, considering what could take its place. I’m drawn to work where restraint reflects consideration, where exploration is distilled into something deliberate and essential. My process moves between expansion and reduction—looking outward with curiosity, then stepping back to refine an idea. I find inspiration in fashion, objects, interiors, photography, music, film, and the visual language of everyday life, but I’m most interested in what lies beneath them: the behaviors, preferences, and instincts that shape the way we experience the world.